Alfredo Jaar
Sunday, March 2nd, 2008We were fortunate to have Alfredo Jaar present the first lecture in the Zones of Emergency series. Alfredo’s talk provided a framework to consider the complexity of working across disciplines - art, education, and the public sphere - to address specific emergency situations. I have asked the students in my courses to contribute their thoughts to this blog as a means to begin an online discussion about many of these issues. Here’s what MIT Media Lab graduate student Adam Kumpf had to say about Alfredo Jaar’s talk last Monday night:
Alfredo talked about his political contemporary artwork, but from a very different point of view than is typical of such artists. Instead of forcefully dictating what he wanted his audience to feel, the pieces were all more reflective and subtle; inviting the audience to come to their own realizations and conclusions. For example, one of Alfredo’s most provocative pieces was a large collection of black archival photo boxes with text on the front describing a photo inside that was taken during the violence in Rwanda. From clarinets in wartime to enormous balloons that crossed country lines, Alfredo took on the often-overlooked details of communities in crisis. Another exhibit displayed a stack of one million passports that had never been issued as a way of opening a dialog about restrictive immigration policies. Using the audience’s imagination to trigger seeing the situation more vividly than with the eye alone was common throughout his work; grounded, influential, inviting, and reflective - political art revealed poetically.
Thanks, Adam!
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